In Rouse's translation, Odysseus seems to have qu. Overall, from just reading this chapter, one can't tell a great deal about Odysseus' character. However, it doesn't seem that the ghosts think as highly of him as they might in Rouse's version, seeing as Teiresias won't allow him to see Tantalus or Sisyphus, two ghosts that were doomed to suffer in Hades' Kingdom. Odysseus' lack of emotion may portray him to be rather uncaring, although he does treat the ghosts with whom he talks with respect, since he is just a guest in the Kingdom of Dead. In Evslin's version, seeing as this version isn't greatly detailed, one can't gain such a feel for Odysseus' character as one can from Rouse's translation. However, there are several smaller differences in his character portrayal in different retellings. After all, he is referred to as "the man who was never at a loss," and judging from his description in both film and different translations, this always seems to be true. Odysseus, the main character, is basically portrayed as a shrew, fearless, and smart man, cleverly weaving his way out of different dilemmas. Notable differences were most clearly seen in Odysseus, Anticlea, and Teiresias, who's depictions I will compare as they were described in Book XI of The Odyssey, "How Odysseus Visited the Kingdom of the Dead." Rouse, as well as watching Konchalovslky's film version, it was clear one could detect visible differences between characters. After reading the retellings by John* Evslin and W.H.D. This causes characters to be portrayed differently from translation to translation. Each of these retellings differs from, one another, seeing as each version has a somewhat alternate take on the tale. The Odyssey, the classic epic by Homer, has been retold for centuries since it was first written in ***. He fights valiantly, earning his father's respect and trust.Different Character Portrayals From Book to Film The prince stands against more than a hundred suitors with only his father and a couple of herdsmen on his side. This prompts Alcinoos to implore him to continue, culminating in praise of his integrity: Odysseus, we as we look upon you do not imagine that you are a deceptive or thievish man, the sort that the black earth breeds in great numbers, people who wander widely, making up. At the showdown with the suitors in the great hall, he is shrewd enough to get his mother out of the line of fire and mature enough to be a real help to Odysseus. At this point in his narrative he shows great showmanship by declaring, entirely out of the blue, that it is time for bed. He believes in the support of the gods, especially Athena and he believes in this great man, his father, whom he has known only as a legend. Athena keeps the prince alive by helping him avoid an ambush set up by the suitors on his return trip to Ithaca.Īfter he joins his father and is made an important part of the king's plot to overcome the suitors, a good deal of Telemachus' motivation is based on faith. Menelaus encourages him with news that Odysseus may be alive and held captive by a goddess-nymph named Calypso. Nestor reinforces in the prince a respect for loyalty and devotion. He learns how to behave among Greek leaders. Athena, disguised as Mentor, guides and instructs him. Athena senses danger and manages for the prince to visit two foreign kings who are old comrades of his father: Nestor of Pylos and Menelaus of Sparta.ĭuring his travels, Telemachus grows as a man. Although he speaks well at the meeting and impresses some of the elders, the leading suitors (Antinous and Eurymachus) show no respect for either Telemachus or his mother, Queen Penelope, and little is accomplished. Telemachus initially asserts himself by calling an assembly of Ithaca's leaders in order to protest the suitors' activities. As the epic opens, Telemachus, about 21 years old, is on the brink of manhood, uncertain and insecure in his potential power, and in grave danger from the suitors who would prefer to see him dead. The secondary plot featuring Prince Telemachus, which scholars sometimes call the "Telemacheia," is an early example of a coming-of-age story.
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